A spacey, cinematic electronic production enamors on �Tides of the Bloom,� a track out today from German-Italian composer Julian Petrin. The release represents a rework of Petrin�s earlier work, a composition crafted in 1990 as theatre music for a...
A spacey, cinematic electronic production enamors on �Tides of the Bloom,� a track out today from German-Italian composer Julian Petrin. The release represents a rework of Petrin�s earlier work, a composition crafted in 1990 as theatre music for a Munich-based production of Frank Wedekind�s play Spring Awakening.
�It reflects the desire for a departure into life, for self-determination, which are at the centre of Wedeking�s play,� Petrin says of the release. �The new version attempts to capture the spirit of the time in which it was created and at the same to translate the track carefully into the present day.�
The production wastes no time with its atmospheric immersion, dazzling with a trickling synth arp alongside ghostly, wordless vocals and subtle clap-like percussion. A symphonic synth sensation becomes more intertwined as the first minute begins to conclude, traversing thereafter into a triumphant-sounding appeal into further arp-forward emphasis past the two-minute turn. Gorgeous melodies wistfully appear underneath the steady arp effect, combining with haunting textural appeal for a production that fully lingers. �Tides of the Bloom� stirs with a sound fit for contemplation, an ideal fit for contemplating on the new year approaching.
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This and other tracks featured this month can be streamed on the updating Obscure Sound�s �Emerging Electronic� playlist.
We discovered this release via MusoSoup, as part of the artist�s promotional campaign.
The post Julian Petrin � �Tides of the Bloom� appeared first on Obscure Sound: Indie Music Blog.
