Badass Female Photographers - Diane Arbus

12 months ago 36

Hello Scandals! We are very excited about this new category we created for our blog posts: Badass Female Photographers. The idea is to write several blogs about those female photographers (well known or forgotten by history) who shaped the...

Hello Scandals! We are very excited about this new category we created for our blog posts: Badass Female Photographers. The idea is to write several blogs about those female photographers (well known or forgotten by history) who shaped the world of photography.

We are businesswomen, but first and foremost we are artists, so creating this blog series takes us back to photography school and satisfies the artist within us!

For this first blog, let us introduce you to Diane Arbus ?

We used the following sources for the facts stated in this blog: Wikipedia, Arts Help, and The Art Story.

 

Diane Arbus holds her 1962 photograph: Child with toy in Central Park.

 

She was an American photographer who was famous for her incredible B&W and intimate portraits of marginalized communities. I, Fanny, personally love her work (it is my dream to, one day, buy one of her photograph). From the moment I discovered her art, I got fascinated and inspired by her artistic vision and images! What I find incredible about her work is the fact that she dared to move away from social barriers and prejudices in order to document the life of those who were called “freaks” (people with dwarfism, circus performers, giants, gender non-conforming people…).

"She was fascinated by people who were visibly creating their own identities—cross-dressers, nudists, sideshow performers, tattooed men, the nouveaux riches, the movie-star fans, and by those who were trapped in a uniform that no longer provided any security or comfort." - Arthur Lubow.

Her work strongly influenced the way our world perceives people who don’t conform to our society’s standards and the importance of a proper representation of all people.









Tell me more about her!

Diane Arbus (born as Diane Nemerov) was born in 1923 in New York City.

She grew up in a wealthy family but was raised by maids and governesses since her parents were not deeply involved in raising her, nor her siblings (Diane's mother struggled with bouts of depression preventing her from intellectually supporting her daughter, while her father stayed busy with work). This lack of parenting pushed her to try separating herself from her family.

How did she become a photographer?

At the age of 18 she married Allan Arbus, who she was dating since the age of 14. Allan was working in the advertising department of Diane’s father’s fur shop, and he was the one who gifted Diane her first camera shortly after their marriage. With her husband, they opened their fashion photography studio in which Allan was the photographer and Diane the art director (she would come up with the concepts for their shoots and then take care of the models). She eventually grew tired of the unfulfilling commercial work and, with the support of her husband, end up starting her career as a solo photographer.

The main event in her life that triggered her curiosity for photography was her pregnancy with her first daughter, Doon, that she chronicled in 1945. She also took some photography classes with two famous female photographers (that we will also cover in the blog series) : Berenice Abbott and Lisette Model.

 

Diane Arbus - 1945 Double Self-Portrait with Infant Daughter, Doon.

 

The evolution of her art.

She started her portraits journey by wandering the streets of New York’s and taking pictures of strangers, stolen moments her subjects did not expect. She kept her distance at first, not meeting eyes with her models.

But rapidly, Diane felt compelled to get closer to the people she photographed, and focus on the one living an unconventional life. She would befriend her subjects, connect to them in a unique way, and photographed them in intimate settings such as their homes. The power of her images, beside the subjects themselves, is the fact that she would make them look directly at the camera and being the centre of each photograph.

“As her works evolve her subjects begin to knowingly face the camera, her photographs become almost provocative with vulnerability. Her subjects are emotionally exposed to the point of nakedness, their eyes staring directly into the camera.” - Kaiya Malik.

Many have thought that her work was an extension of her childhood and personal suffering, feeling oppressed and like a social outcast within her own community!

A controversial photographer!

Diane Arbus - The Albino sword swallower and her sister, Md.

Diane Arbus received a lot of critics, either positive or negative. Some people, like me, were fascinated by the choice of the models and her approach, seeing her art as a way to show marginalized groups as humans instead of “freaks”.

But not everyone would agree with her vision. Some people would see her work as something perverse, she would be called a “voyeur” by some critics, while others would doubt the fact she viewed her subjects as social equals. She was seen as a free-spirit (which wasn’t a compliment at that time) and got a reputation that she was sleeping with some of her models.

Her battle with depression.

Diane Arbus experienced "depressive episodes" during her life, similar to those experienced by her mother, and committed suicide at the age of 48 (1971), by ingesting barbiturates and cutting her wrists with a razor. She wrote the words "Last Supper" in her diary and placed her appointment book on the stairs leading up to the bathroom, her body was found two days later.

"I go up and down a lot. Maybe I've always been like that. Partly what happens though is I get filled with energy and joy and I begin lots of things or think about what I want to do and get all breathless with excitement and then quite suddenly either through tiredness or a disappointment or something more mysterious the energy vanishes, leaving me harassed, swamped, distraught, frightened by the very things I thought I was so eager for! I'm sure this is quite classic." - Diane Arbus ( letter wrote to a friend in 1968).

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