In a genre often marred by stereotypical portrayals, bleed moxie’s latest alt-hip-hop single, ‘women’s society’ is a refreshingly progressive deviation. Mitchel Paulson, under his latest persona, weaved a narrative that not only celebrates femininity but also challenges the listener to re-evaluate their perceptions and discriminations. After an intro of 50s doo-wop and a touch of retro Hollywood glamour, the beat ushers into the dreamy-with-hazy-hues jazz-infused soundscape, which lays the perfect foundation for the emotionally charged rap bars. His verses are a poignant tribute to women, far removed from the objectifying rhetoric prevalent in much of contemporary hip-hop. The track’s artfully nostalgic production juxtaposes sharply with its message, reminding us of a time when women were upheld with respect in society. This contrast is a sonically visualised commentary on the current socio-cultural climate, especially in the wake of incel movements led by figures like Andrew Tate. This track is not just vital; it’s a necessary step forward in the evolution of hip-hop. bleed moxie, a chameleon in the music world, has evolved from the party-hard, emo-tinged innovator to the introspective, mature artist we hear today. His journey through various personas – from the Mox & J. Project to MJ FLAWS – […] The post bleed moxie is the antithesis of Andrew Tate in his cinematically luxe alt-hip-hop track, women’s society appeared first on A&R Factory.

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